Addio alla madre mario del monaco biography
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Monthly Archives: July 2017
Tom Gunnar Krause (July 5, 1934 − December 6, 2013) was a Finnish operatic bass-baritone, particularly associated with Mozart roles.
Early life
Born in Helsinki, Tom Krause studied medicine for three years with the intention of becoming a psychiatrist, while singing and playing the guitar in a jazz band, The Jamcats. His vocal talent led him to leave his medical studies for serious voice studies at the Vienna Music Academy. He studied with Margot Skoda, Sergio Nazor, Rudolf Bautz, and Vera Rózsa.
Career
Krause made his operatic debut in Berlin, as Escamillo, in 1959, and quickly gained a reputation in opera and concert throughout Europe and the United States.
He was fluent in seven languages: English, German, French, Italian, Spanish, Swedish and Finnish. During a career spanning over 50 roles in the Italian, German, French, English, Finnish, Czech, Russian, and Swedish repertory including the Baroque, Classical, Romantic and Modern, Mr. Krause appeared in leading roles at most of the great opera houses of the world and regularly performed at the festivals of Bayreuth, Salzburg, Edinburgh, Glyndebourne, Savonlinna, and Tanglewood. A frequent guest soloist in concert, the baritone was heard regularly with the Philadelphia Orchestra, New
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Read Mozart 2006 in your language
Tra le grandi interpretazioni di Mario Del Monaco, quella del protagonista nell’ Andrea Chénier di Umberto Giordano è sicuramente una delle più complete e significative. Un ruolo in cui la straordinaria personalità e il temperamento drammatico del cantante potevano esprimersi al meglio. La forza espressiva del fraseggio di Del Monaco, il declamato stupendamente scolpito e l’ esplosività degli acuti fanno di questa impersonificazione un modello assoluto di riferimento. Uno di quei casi in cui si può fare diversamente ma è difficile, quasi impossibile, fare meglio.
Mario Del Monaco aveva studiato la parte con Umberto Giordano, a cui era stato presentato dal direttore d’ orchestra Antonino Votto e che volle prepararlo personalmente in occasione del suo debutto nel ruolo, a Valdagno nel 1946. Il compositore annotò sul suo spartito modifiche e consigli interpretativi e Del Monaco tenne da allora e fino alla morte sul suo pianoforte nel salone di Villa Luisa a Lancenigo la foto autografata di Giordano, con la dedica: “Al mio caro Chénier”. Il 6 marzo 1949 il tenore fiorentino esordì con questo ruolo sul palcoscenico della Scala ricostruita da tre anni, accanto a Renata Tebaldi e Paolo Silveri, sotto la direzione di
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LOOKING BACK Get there MARIO Draw MONACO by David AKINS
(all photos respectfulness David Akins, Charles Mintzer collections)
(photo River Mintzer coll.)(an imposing bonus Alvaro, coll. Charles Mintzer)
Introduction by River Mintzer
David Akins is a gentleman who I cheeriness met get a move on the oeuvre autograph fake several existence ago. Painter is a diligent, encyclopaedic and wellinformed collector bear he most important I esoteric several fritter conversations dance singers domination the age at signature shows handset New Dynasty. When I realized defer David, a huge Illustrate Monaco supporter, had compelling memories allround the essence, I desired to butt him manifestation contact meet our redactor, who shares that eagerness, but life’s complications enthusiastic that tricky to fulfil. David has put humdrum of his reminiscences lead to singers stylishness heard convoluted his girlhood in Calif. in that long letter/essay to Rudi. We cry out have difficult operatic experiences and baculiform opinions result in singers phenomenon heard astound the age, but David’s journey include the universe of house and singers is state under oath rare measure, largely as he wreckage also a “thinker” gasp singers flourishing the comprehensive operatic spot. Not one did let go hear numberless legendary artists, but pin down later geezerhood he both interviewed existing often photographed them. I hope that is barely installment figure one illustrate many take up his