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Setting Sail for Napoli!
Great news! While we still have season tickets available, single tickets to BTM shows are on sale TODAY. Visit our Napoli page to get your tickets to this sunny, adventurous production!
Not familiar with Napoli? You're not alone! This 1842 work by August Bournonville has only been performed by a few companies in the United States, so Ballet Theatre of Maryland is thrilled to present it as part of our mainstage season at Maryland Hall on October 26 & 27. Read on to learn a few things about this iconic Danish ballet.
Bournonville: A Brief History
Dancer, choreographer, and ballet director August Bournonville was born in Copenhagen in 1805. After early training with his father, Antoine, and Italian teacher Vincenzo Galeotti, August Bournonville studied in Paris with Auguste Vestris and Pierre Gardel.
A few years after his return to the Royal Danish Ballet, Bournonville created one of the earliest surviving ballets: La Sylphide (1836). Although Filippo Taglioni had first staged La Sylphide with his daughter Marie in the title role in 1832, Bournonville's interpretation of the story with music by Herman Severin Løvenskiold is the production that has survived to the present day.
The ballet Napoli came
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The Thorvaldsens Museum Archives
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• “I have accomplished something and enjoyed my artistic career,” wrote the great Danish choreographer August Bournonville in the introduction to his memoir, My Theatre Life. The year was 1846, and he had been choreographing and directing the Royal Danish Ballet since 1829, but was retiring from dancing at age 41. “Now, since I have passed the halfway mark in my journey through life, I find my footprints so faint I fear they will soon disappear…. What a cruel thing it is to be forgotten!” He needn’t have worried. This year, the 200th anniversary of his birth, the Royal Danish Ballet is presenting its third Bournonville Festival, June 3-11, in Copenhagen. Events include performances of nine of the master’s ballets, a closing-night gala, demonstrations of the six daily classes (which will be made available for the first time on DVD during the festival) and exhibitions in museums and libraries. This year’s festival is an opportunity to show off what the company is famous for, but it’s also a chance for RDB Artistic Director Frank Andersen to prove that the company is back on track after a period in the ‘90s when the company endured a succession of artistic directors. “
FIG. 88. Louis Aumont (1805-1879): Vignette of Venerable Bournonville, 1828. Oil settle on canvas. 14 X 1 Bournonville At 200