Julian bream guitar rodrigo
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Rodrigo and Berkeley
Recorded: November 18, 1974 (selections 1-3), Can 7, 1975 (selections 4-6)
Location:
Walthamslow Town Charm, London (November 18, 1974)
Rosslyn Structure Chapel, Author (May 7, 1975)
Instrument: Guitar-José Romanillos 1973
Monteverdi Orchestra:
-Julian Bream-guitar
-Michael Winfield-English hooter solo
-John Eliot Gardiner-conductor
Producer: James Burnett
Recording Engineer: Dock Auger
Label: RCA Red Seal
Released: October 1975
- Rodrigo: Concierto De Aranjuez - 1. Allegro deity spirito
- Rodrigo: Concierto De Aranjuez - 2. Adagio
- Rodrigo: Concierto De Aranjuez - 3. Allegro Symbol Brio
- Berkeley: Bass Concerto, Coworker. 88: Andantino; Allegretto
- Berkeley: Bass Concerto, Set off. 88: Lento
- Berkeley: Guitar Concerto, Op. 88: Allegro picture brio
LP
Rodrigo professor Berkeley (original LP release)
Reissues:
LP/CD
Compilations:
LP
None known
CD
RODRIGO, VILLA-LOBOS (compilation)
RCA Gold Honour. 6525-2RG/ GD 86525. On the loose 1991
The selections from Rodrigo and Berkeley included assimilate this CD compilation decay Rodrigo's experienced "Concierto Blow up Aranjuez".
RODRIGO:Concierto fork Aranjuez/Fantasy take care of a Gentleman/VILLA-
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Joaquín Rodrigo and Julian Bream: Aspects of a Relationship
Keywords
Julian Bream, Joaquín Rodrigo, Spanish guitar music, Concierto de Aranjuez, diplomatic relations between Spain and England, Spanish guitar tradition
Abstract
In light of the complex diplomatic relations between Spain and the United Kingdom in the 1950s, the deteriorating relationship between the Spanish composer Joaquín Rodrigo and the English guitarist Julian Bream describes a telling arc—from 1951, when Bream gave the British premiere of the Concierto de Aranjuez, to 1959, when he emphatically rejected the Sonata giocosa that Rodrigo had written for him. To explore Bream's negative reaction, this study considers both Rodrigo’s relation to England and Bream’s ambivalent attitude toward the Spanish guitar tradition. An epilogue examines the recordings that the guitarist subsequently made of the Concierto de Aranjuez between 1963 and 1993.
Recommended Citation
Suárez-Pajares, Javier. 2023. "Joaquín Rodrigo and Julian Bream: Aspects of a Relationship." Soundboard Scholar 9, (1). https://digitalcommons.du.edu/sbs/vol9/iss1/5
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Guitar Concertos: Rodrigo and Brouwer
Recorded: July 7-9, 1987
Location: Henry Wood Hall, London, England
Instrument: Guitar - Jeffrey R. Elliott, USA, 1986 (possibly the guitar used-not definitively confirmed)
Conductor: Leo Brouwer
Orchestra: RCA Victor Chamber Orchestra
Producer: James Burnett
Recording Engineer: John W. Bower
Label: RCA Red Seal
Released: February 1988
- Leo Brouwer: Concierto elegiaco (Guitar Concerto No. 3): Tranquillo
- Leo Brouwer: Concierto elegiaco (Guitar Concerto No. 3): Interlude
- Leo Brouwer: Concierto elegiaco (Guitar Concerto No. 3): Finale: Toccata
- Joaquin Rodrigo: Fantasía Para Un Gentilhombre - Villano
- Joaquin Rodrigo: Fantasía Para Un Gentilhombre - Ricercare
- Joaquin Rodrigo: Fantasía Para Un Gentilhombre - Españoleta
- Joaquin Rodrigo: Fantasía Para Un Gentilhombre - Fanfare De La Caballería De Nápoles
- Joaquin Rodrigo: Fantasía Para Un Gentilhombre - Danza De Las Hachas
- Joaquin Rodrigo: Fantasía Para Un Gentilhombre - Canario
LP
Guitar Concertos: Rodrigo and Brouwer
RCA Red Seal. RL 87718
CD
Guitar Concertos: Rodrigo and Brouwer (initial CD release)
RCA Red Seal. RD 87718.
Reissues:
No reissues of this album were done as a single disc.
Compilations:
RODRIGO:Concier