Maria van oosterwyck biography templates
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Maria van Oosterwijck
Dutch artist (1630–1693)
Not to be confused with Maria van Oisterwijk.
Maria van Oosterwijck, also spelled Oosterwyck, (1630–1693) was a Dutch Golden Age painter, specializing in richly detailed flower paintings and other still lifes.
Life and work
[edit]Maria van Oosterwijck was born in 1630 in Nootdorp, a town located near Delft in South Holland, the Netherlands.[1] Her date of birth is generally listed as 20 August,[2] but some sources state that it was 27 August. Her father was a Dutch Reformed Church minister, as was her grandfather.[3] Her father took her, when she was quite young, to masterful still life painter Jan Davidsz. de Heem's studio. With de Heem's influence, van Oosterwijck developed her interest in floral painting.[2] She became his student,[1] and she showed herself to have a talent for vividly painting realistic creations.[2]
Van Oosterwijck initially worked in Delft and later moved to Utrecht.[4] She worked with de Heem, and years later she produced her first professional piece which had been created independently. When de Heem moved to Antwerp, van Oosterwijck had ample opportunity for independent painting.[2]
Sometime in the early- to
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Bio
Maria van Oosterwijck, also spelled Oosterwyck, (1630–1693) was a Dutch Golden Age painter, specializing in richly detailed flower paintings and other still lifes.
Life and work:
Maria van Oosterwijck was born in 1630 in Nootdorp, a town located near Delft in South Holland, the Netherlands. Her date of birth is generally listed as 20 August, but some sources state that it was 27 August. Her father was a Dutch Reformed Church minister, as was her grandfather. Her father took her, when she was quite young, to masterful still life painter Jan Davidsz. With de Heem's influence, van Oosterwijck developed her interest in floral painting. She became his student, and she showed herself to have a talent for vividly painting realistic creations.
Van Oosterwijck initially worked in Delft and later moved to Utrecht. She worked with de Heem, and years later she produced her first professional piece which had been created independently. When de Heem moved to Antwerp, van Oosterwijck had ample opportunity for independent painting.
Art
Van Oosterwijck created floral paintings and still lifes with allegorical themes during a period in which such works were much sought after in Central Europe. She and Ruysch were judged to be the most eminent still life painters of the Low Count
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Flower Still Come alive (1669)
by Tree van Oosterwyck
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Flower Attain Life (1669) by Mare van Oosterwyck (Cincinnati Brainy Museum)
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Because they transform bring forth caterpillars talk of their fetching final adjust, butterflies buoy symbolize metamorphosis, or Christ’s resurrection.
Portrait see Maria front Oosterwijck (1671) by Wallerant Vaillant (Rijksmuseum, Amsterdam)
Van Oosterwyck’s father mushroom grandfather were ministers soupзon the Nation Reformed Church2, and she was described as “modest and remarkably