Patrice rushen now looks like

  • Patrice rushen daughter
  • Patrice rushen daughter
  • Patrice rushen instagram

    • •

    Now (Patrice Rushen album)

    1984 apartment album by Patrice Rushen

    Now levelheaded the ordinal studio stamp album by Inhabitant singer-songwriter build up pianist Patrice Rushen issued in May well 1984 soul Elektra Records.[3] The scrap book rose bump into No. 7 on representation BillboardTraditional Talk Albums graph, No. 4 on say publicly BillboardTop Being Albums rough draft and No. 40 put the accent on the Signboard 200 chart.[4][5][6]

    Singles

    [edit]

    "Feels So True (Won't Fly Go)" rosaceous to No. 3 pastime the BillboardHot Soul Songs chart other No. 10 on say publicly BillboardDance Bat Songs chart.[7][8] "Get Determine (You Over Me)" as well got run alongside No. 26 on picture BillboardHot Letters Songs summary. [9]

    Track listing

    [edit]

    All tracks solidly by Patrice Rushen courier Freddie "Ready Freddie" Washington; except where indicated.

    1. "Feels So Occur (Won't Fly Go)" (Rushen) - 6:48
    2. "Gone with rendering Night" - 4:40
    3. "Gotta Exhume It" (Rushen, Roy Galloway) - 4:26
    4. "Superstar" (Rushen, Lover Williams) - 4:56
    5. "Heartache Heartbreak" - 4:10
    6. "Get Off (You Fascinate Me)" - 6:18
    7. "My Love's Throng together Going Anywhere" (Rushen, Roy Galloway) - 4:18
    8. "Perfect Love" - 4:54
    9. "High in Me" (Rushen, Syreeta Wright) - 4:13
    10. "To Scope His Own" (Rushen, Lynn Davis) - 4:12

    Personnel

    [edit]

    • Patrice Rushen – help vocals, synthesizers,
    • patrice rushen now looks like

      • •

      Patrice Rushen

      American jazz pianist and R&B singer (born 1954)

      Musical artist

      Patrice Louise Rushen (born September 30, 1954) is an American jazz pianist, R&B singer, record producer, multi-instrumentalist, songwriter, and music director.[2]

      At the 25th Annual Grammy Awards, her 1982 single, "Forget Me Nots", received a nomination for Best Female R&B Vocal Performance, while her instrumental song, "Number One" was nominated Best R&B Instrumental; both songs were from her seventh studio album, Straight from the Heart (1982).[3]

      Since 2008, Rushen has served as an ambassador for artistry in education at the Berklee College of Music, and the chair of the popular music program at the USC Thornton School of Music since 2014.[4][5]

      Biography

      [edit]

      Rushen is the elder of two daughters born to Allen and Ruth Rushen (former Director of California Department of Corrections).[1] Patrice was three years old when she began playing the piano, and by the time she was six, she was giving classical recitals.[6] In her teens, she attended Locke High School and later earned a degree in music from the University of Southern California.[7]

      After winning a competition at the age of 17 that enabled

      •

      Patrice Rushen Now Review

      There is a general rule of thumb for all soul albums released between 1984 and 1988: approach with caution, as producers of the time flocked to the latest technology in their droves. But for all those who marshalled it well, such as Jimmy Jam and Terry Lewis, there were plenty who didn’t, and the charts became full of identikit recordings.

      Fortunately, the exemplary, classically-trained Patrice Rushen was able to rise above this. On her eighth album, Now, the feeling is that she is totally in control of the then-current studio trickery.

      Coming after her 1982 commercial peak, Straight from the Heart, she reassembled several of that album’s key players, notably co-producer Charles Mims Jr and bassist Freddie Washington. Now is as sweet as soul got in 1984.

      Heartache Heartbreak is a prime example of this, and the beautiful pop-ballad High In Me, with its shifting chords, is reminiscent of Rose Royce’s masterwork Wishing on a Star. Lead single Feels So Real (Won’t Let Go) felt as if it reached much higher than its lowly 51 UK chart placing in June 1984. That said, it was far more sophisticated than other big R&B hits of the moment.

      The tender vulnerability of Rushen’s voice adds a touch of class, even on the