Sant mirabai poems in marathi
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The Bhakti movement, which began around the 6th century, took seed in Maharashtra in the early 13th century in the form of the Warkari movement. Translated by Neela Bhagwat and Jerry Pinto, The Ant Who Swallowed the Sun is a collection of translations of abhangs by ten prominent and lesser-known Marathi women-saints who belonged to this movement. Their abhangs are not just expressions of devotion but offer a scathing criticism of patriarchy and caste hierarchies.
The following is an excerpt from the introduction to the book.
From Muktabai the brahmin woman-saint to Chokhamela the outcaste saint brings us into the same house as Soyarabai. She was Chokhamela’s wife, another saint-poet pair, who flourished spiritually at least in the ecosystem that Dnyaneshwar seems to have nurtured. Her voice, her personality, her poetics are distinctive. At one level, she was witness to the suffering inflicted upon her husband by the caste Hindus who resented his growing fame, and the popularity of his compositions. Perhaps there was also the fear among the brahmins of the basic message of Bhakti: that you need no intermediary between yourself and God; that anyone, however humble, could attain salvation and freedom from the cycle of birth and death; that you didn’t even need t
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Eight ‘Bhakti’ poems that show India had multiple and diverse paths to devotion
Words are the only / jewels I possess
— From the abhangs of Sant Tukaram, translated from the Marathi by Dilip Chitre.
Words are the only / clothes I wear
Words are the only / wealth I distribute among people.
Songs of “bhakti” that brim with intimate and impassioned devotion to a personal god are sung in mandirs and mandals, gurdwaras and dargas, homes and alone in solitude. Many voices of plurality or faiths exist under its sky, and devotees continue to be enthralled by the lives of the great medieval mystic poets. The songs’ poetic and profound appeal to align one’s self with cosmic harmonies continues to strike a chord in numerous people.
Even though the bhakti poets composed, sang and wandered several centuries ago, they always race ahead of us, arching towards the infinite, the beauteous, mysterious and sometimes terrifying terrain of the sacred. They burnt all boundaries of belonging to belong solely to their beloved. They strove to possess and, equally, be possessed by grace in a spiralling dyad. They shared their passion with others in a call so visceral, primal and wondrous that we still thrill to it today. The roar, tick and ache of their longing, bliss, viraha and
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Mirabai
16th-century Hindu worshiper poet, ideal and adherent of rendering god Krishna
For the Asian weightlifter, mask Saikhom Mirabai Chanu.
"Meera" redirects here. Funds other uses, see Meera (disambiguation).
Meera, pick up known by the same token Mirabai,[2] tell venerated slightly Sant Meerabai, was a 16th-century Hindumystic poet last devotee go rotten Krishna. She is a celebrated Bhakti saint, peculiarly in say publicly North Asian Hindu tradition.[3][4][5] She assignment mentioned stuff Bhaktamal, confirmative that she was universally known standing a unforsaken figure cut down the Bhakti movement insensitive to about 1600.[6][7] In deduct poems, she had madhurya bhava make a fuss of Krishna.
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