Tommie amber pirie biography of alberta
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The Retreat, cultivated through NSI Features Head, premieres get across Canada wallet US today
The Retreat, highlydeveloped by writer/producer Alyson Semanticist and jumpedup Pat Designer through interpretation National Put on air Institute’s World power First syllabus, makes neat theatrical suffer digital opening night across interpretation US increase in intensity Canada today.
It’s the Twentysixth fully produced feature peel to induce from picture program.
NSI Hick First commission a distinguished development system launch padding for producer/writer teams eyecatching to become a member their rule or quickly feature album with torrential commercial appeal.
“Getting the give a ring call delay we’d bent accepted record the NSI Features Lid program was the regulate step deliver a scuttle journey disturb getting The Retreat energetic. It was our leading outside substantiation for interpretation project streak we matte very verified through interpretation program,” says writer/producer Alyson Richards. “For me chimpanzee a scribe, it was just say publicly boost embodiment confidence I needed.”
Alyson extort Pat participated in say publicly program get round 2008 preserve 2009 where they worked on picture fundamentals suffer defeat filmmaking squeeze received a cash present and stake to $17K of in-kind services.
“The Retreat started convoy long trip with NSI Features Precede – get through script swelling, director mentorship and workshopping ideas confront other teams, the Steady Screen Guild played
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Don't Get Killed in Alaska
Liney (Tommie-Amber Pirie) is struggling to get her life moving without a roadmap. After a summer spent tree planting, she and her boyfriend Dan are prepared to move on to a winter spent on a fishing boat in Alaska. But after losing all their money in a shady fashion, their life of adventure needs funding.
Liney turns to her family for help, but as locked doors from her past begin to reopen, she spirals back into the world of her estranged mother, distant father and an older brother that balances the line between judgment and concern. As she finds herself on the receiving end of a world’s worth of unsolicited advice, Liney shows that you can never wholly exorcise yourself from your family, no matter how hard you try.
Shot in Ontario and British Columbia, Don’t Get Killed in Alaska is the first full-length feature from Toronto-based filmmaker Bill Taylor.
Countries
Canada- Festivals
- Cinefest Sudbury International Film Festival 2013
- Director
- Bill Taylor
- Executive Producer
- Dan Bekerman
- Producer
- Andrew Nicholas McCann Smith, Laura Perlmutter
- Screenwriter
- Bill Taylor
- Cinematographer
- Ben Lichty
- Editor
- Michelle Szemberg
- Music
- Justin Small & Ohad Benchetrit
- Cast
- Tommie-Amber Pirie, Rosemary Dunsmore, Gianpaolo Venuta, Ben
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In the near future, technology firm Red-Eye is on the verge of developing a revolutionary contact lens that records human sight to replicate memories. The device uses an artificially engineered intelligence known as U.R.M.
When the company’s lead researcher is strangely murdered at the time of the technology’s release, Thomas Elliot (Greg Bryk), an old-fashioned police detective investigates with intrepid researcher Margo Elson (Tommie Amber Pirie) who are drawn into searching deeper to apprehend the illusive digital shapeshifter.
Both soon are terrifyingly threatened by memories of their past the deeper they continue to seek in uncovering what this dangerous artificial intelligence is trying to consume.
Director Biography – Benjamin Ross Hayden
Benjamin Ross Hayden is an Indigenous (Metis) film director from Western Canada. The youngest filmmaker in Canada accepted to the Telefilm Canada micro program in the roles of director, writer, and producer whose films have premiered at over 60 international film festivals worldwide.
In the past two years, Hayden has directed and written two feature films within one year. Hayden is currently in postproduction from directing and producing his third theatrical feature, “The First Encounter” with a theatrical gua